Source: YouTube / Little White Lies
His name is Rey and he does not look, talk or act like anybody’s idea of a teen heartthrob.
His teeth are crooked and foul. His hair is a bad bowl-buzzcut. He’s dirty from head to toe, and when he manages to speak, he mumbles disjointed sentences, often repeating them for no good reason.
He certainly bears little resemblance to the world’s most handsome vampire, the perfectly coiffed, sparkly skinned Edward Cullen, hero of the “Twilight” franchise. And yet Rey, the train-wreck at the center of the post-apocalyptic manhunt “The Rover,” is indeed played by the usually dashing Robert Pattinson.
“I generally don’t get picked for these parts,” Pattinson admits on the from L.A. “There’s about five actors who seem to have a lock on the weirdos. I’ve never really been perceived to be one of them — up until now maybe.”
How badly did Pattinson want the part? He auditioned for it. Twice.
Understand, this is a guy whose last movie, “Breaking Dawn — Part 2,” earned $829 million worldwide.
But he understood the need for an audition.
“Well, it’s very different from who I am, personally. There’s no way of really proving that I could have done it by just talking about it,” he says. “It would have been a giant leap of faith.”
Pattinson, 28, saw the jittery, perpetually insecure Rey as a literal underdog.
“In a pack of dogs there’s always one who will completely accept the beta position,” he says.
To help him find the right mindset, director David Michod had Pattinson watch the documentary “Bully,” which follows the lives of kids who are constantly picked on. The actor understood right away.
“People have been accusing you of having something wrong with you for so long that you believe it,” he says. “No one’s expecting anything from you, you stop thinking, you’re a dependent. You don’t have any choice. Really, the only thing he feels is fear of everything.”
It helped that co-star Guy Pearce happens to be a fairly imposing presence.
“Guy’s just got this constant pressure on you in a scene. And he’s got such a singular focus that you kind of end up just falling to pieces,” Pattinson says. “It’s like you’ve got a laser beam on you.”
Pattinson certainly has experience with bright lights. Born and raised in London, he started working in amateur theater at age 15. An agent spotted him there and by 2005 he had landed a small part in “Harry Potter and the Goblet of Fire.”
By 2008 he’d been chosen to play Edward Cullen in the “Twilight” series. Five movies and countless magazine and tabloid covers later, the franchise concluded last year with “Breaking Dawn — Part 2,” having earned more than $3.3 billion.
Pattinson has learned to adapt to the spotlight over the years, and he even ventures out into public on occasion these days.
“You sort of weigh up what you want your day to be. If you say my friends are going to a movie or whatever and if you go you’re probably going to get a bunch of photographs taken of you,” he says. “Sometimes you’re cool with it, other times I don’t want to be bothered to with the stress of it. But I’ve definitely figured out a more balanced way to live than four years ago.”
Along with celebrity, “Twilight” brought Pattinson high visibility within the film world, and he’s been working with some of the most respected people around. He did “Cosmopolis” with director David Cronenberg in 2012 and stars in Cronenberg’s upcoming “Maps to the Stars.” He’s playing T.E. Lawrence in director Werner Herzog’s “Queen of the Desert,” alongside Nicole Kidman and James Franco, and has “Idol’s Eye,” with Robert De Niro and Rachel Weisz, coming up.
Pattinson says “Twilight” probably gave him a boost with his peers, but he’s not sure how much of one. “Within the , lots of people I work with, none of them have seen ‘Twilight’ — but then Werner Herzog loves ‘Twilight’!” he says. “I think it’s helped me out in a lot of ways. You have to kind of figure out how to ride the wave afterward.”
And he wants to keep riding that wave, chasing the acting high.
“I guess I was a relatively shy person when I was younger. I still am kind of. It’s nice to challenge yourself, especially in big emotional scenes with a part you’re not capable of doing. To be able to challenge yourself in that way, it’s quite exhilarating,” Pattinson says.
“Especially when it goes right,” he adds. “It could be the worst thing ever.”
Source: Detroit News
He has millions of female fans, he lives in Los Angeles and paparazzi dog his footsteps wherever he goes; yet it would be difficult to find a young man less interested in embracing his stardom than Robert Pattinson. The 28-year-old actor refuses to go the Hollywood route of big houses, wardrobes full of designer clothes and roles that utilise his boyish good looks.
He has even rejected the idea of taking the near-obligatory therapy route followed by nearly every self-absorbed star in Hollywood, although he jokes: “I would love to go into therapy but it makes me too anxious.”
Then, more seriously, he adds: “I’ve been talking to a lot of people about it and I don’t know. I kind of like my anxiety in a funny sort of way and I like my peaks and troughs. Luckily depression never lasts long with me.”
We are talking in a Beverly Hills hotel suite about his new film The Rover, set in a post-apocalyptic Australian wasteland, in which he is totally unrecognisable as Rey, a twitchy, dirt-caked, slow-witted lost soul with rotting teeth. He joins forces with Eric (Guy Pearce), a man of few words who is on the trail of a gang of thieves who stole his only possession, his car. Rey is a role as far removed from the handsome Edward Cullen in the Twilight movies as Pattinson could get – which suits him fine.
For three years, Pattinson lived virtually non-stop with the adventures of the brooding vampire and his romance with the mortal schoolgirl Bella, played by Kristen Stewart. It was the role that, whether he likes it or not, made him one of the hottest and most in-demand young actors in the world. He caused an army of female fans to leave their families and homes to follow him to wherever he was filming.
“I had a bit of a struggle at first because my life really contracted and I couldn’t do a lot of the stuff I used to be able to do,” he admits. “But once I got through that a year or two ago I just accepted my life is something else and now I can’t really remember what it was like before, So it’s much easier to deal with.
“It seems much longer ago than two years since the last Twilight came out and I think as you get older you get a bit more confident with every movie you do, so it’s been a gradual graduation to this.”
Pattinson’s “graduation” has included a romantic melodrama (Remember Me), a period circus piece (Water for Elephants), a tale of the French nobility (Bel Ami) and playing an introspective Wall Street tycoon (Cosmopolis). He will soon be seen as T.E. Lawrence in the yet-to-be-released Nicole Kidman film Queen of the Desert and he is a wannabe actor and writer in David Cronenberg’s Maps to the Stars which, like The Rover, was well-received at this year’s Cannes Film Festival.
“I’m curious to know whether people who liked the Twilight movies will come and see things like The Rover,”he says. “Hopefully they’ll enjoy it. I try to do ambitious projects but I don’t know if people are going to like them. You just try and do things which are challenging and hopefully people will appreciate that.”
Although his name is regularly linked with big studio projects such as Star Wars and superhero movies (recent rumours had him cast as a young Han Solo in a Star Wars spin-off), he denies he has ever been offered them and is wary about becoming involved in another franchise. “They don’t come into my orbit and I don’t really see myself in a lot of mainstream parts,” he says. “I’ve never been part of the group that gets these roles.”
He particularly enjoyed working on the low-budget apocalyptic thriller The Rover because it was filmed entirely on location in the scorching heat of the Australian outback, where he existed on a diet of “white bread and barbecue sauce”, and where there were no fans or photographers to pester him. “I just loved it because not only was there no one trying to find you, there’s no one there at all. I wasn’t worrying about anyone trying to sneak up on me or anything so I found it incredibly peaceful and relaxing.”
To land the role he had to go through an arduous four-hour audition for writer-director David Michod, whose previous film was the well-reviewed Animal Kingdom. “For the first 45 minutes I had to deal with my own neuroses before I’d do any kind of acting and I think David recognised this and when I let myself calm down I was fine.”
Michod recalls: “We would do a take and Robert would go, ‘Oh I was so terrible.’ But he wasn’t terrible, he’s just very English and very self-deprecating. I knew within five minutes of our four hour audition I’d found the actor to play Rey.”
Pattinson’s global travels keep him away from his home in London, which he isn’t too sorry about. “I spent two months in England last year which is the longest I’ve spent there in six years, which was nice, but I always go back to England at Christmas time and get so depressed that I’m glad to get back to Los Angeles,” he says. “I’ve really grown to like L.A and I guess it’s my home at the moment.”
His current home is other people’s houses. “I had this great house which I bought four or five years ago,” he says. “It was incredible, absolutely completely crazy. It was like Versailles, with an incredible garden, but I just stayed in one room. I sold it because I suddenly realised I’m not quite old enough to be dealing with plumbing and stuff. So I spent about six months borrowing peoples’ houses, which was nice. Now I’m renting a place which is much smaller.”
Pattinson laughs easily and often and is much more relaxed and at ease than in the early days when he resembled a startled deer caught in the headlights. Despite the massive changes in his life in a relatively short time, he has kept his feet firmly on the ground. Although he appears in advertisements for Christian Dior, he is certainly no fashion plate; he lost nearly all his clothes following a recent house move and hasn’t bothered to replace them. “I’ve started wearing the same thing pretty much every day like a uniform,” he says. “I haven’t taken this jacket off for weeks,” indicating the black, slightly moth-eaten jacket he is wearing that nevertheless looks good on him.
“It’s ridiculous. I don’t understand how I don’t have any clothes. I’ve basically stolen every item of clothing that anyone’s ever given me for a premiere but in my closet there are literally about three things. I’m sure there’s some kind of random storage box full of them somewhere.”
Working for Dior, he says with a chuckle, is “the most ridiculous job in the world. I have to do barely anything and I just occasionally have to go to some Dior parties, which is great.”
Pattinson was born in Barnes, West London, and joined the local theatre club as a teenager. He was spotted by a casting agent and made his screen debut in 2004 in a German television production; he was then bizarrely cast as Reese Witherspoon’s son in Vanity Fair, although his scenes ended up on the cutting room floor.
He achieved some recognition for his role as the brave but doomed Cedric Diggory in Harry Potter and the Goblet of Fire and he had a brief flashback cameo in Harry Potter and the Order of the Phoenix. He had been torn between an acting career and going to university but the Harry Potter roles convinced him to stick with acting. He played a shell-shocked Second World War airman in a BBC Four production, The Haunted Airman, but then spent the best part of the next two years unemployed. His agent persuaded him to try his luck in Los Angeles so, armed with little but an English accent and a sense of humour, he did.
He was not sure whether he wanted the Twilight role when he was first offered it after auditioning by performing a love scene with the already-cast Kristen Stewart; she persuaded the director, Catherine Hardwicke, that he was the actor to play the troubled vampire Edward Cullen. “I’d read the book and couldn’t really picture myself in the role of this handsome, perfect guy,” he says. “I didn’t know how big it was going to be.”
He was romantically involved with his co-star Stewart for three years but the romance ended when she reportedly had an affair with her Snow White and the Huntsman director Rupert Sanders. He is currently dating model Imogen Kerr although he politely declines to talk about his romantic life.
Reviewing how he arrived at where he is in life he uses a word which features frequently in his vocabulary –“ridiculous”.
“I’m extremely lucky which always makes me a little nervous,” he says. “I don’t quite know why I got so lucky but yeah, it’s just ridiculous and I’m pretty happy. Yeah, definitely pretty happy.”
The Rover is released on August 15 (UK)
We are not responsible for the journalist’s added comments.
Source: Telegraph UK
Robert Pattinson is tired.
The 28-year-old has spent the better part of the last month doing press for David Michôd’s “The Rover,” a slow-burn thriller that’s caked in equal parts dirt, dried blood and nihilism. Pattinson has appeared on the cover of The Hollywood Reporter. He’s done interviews with BuzzFeed, The Daily Beast, Indiewire, Jimmy Kimmel and, now, The Huffington Post. “It was good in theory,” Pattinson said of the press gauntlet, before trailing off.
Fortunately, the performance Pattinson is promoting is one of his best yet. He plays Rey in “The Rover,” a simple-minded criminal who gets left for dead by his brother in post-apocalyptic Australia and then goes on a journey of revenge with Eric (Guy Pearce), a man also wronged by Rey’s sibling.
“I think lots of people want to do stuff that’s relatable, and I want to do stuff that’s unrelatable,” Pattinson said of his career outlook in general. “I don’t think I have particularly normal emotional reactions to things. So trying to play someone who is just a normal guy … I don’t really know how to do it.”
HuffPost Entertainment spoke to Pattinson at the Bowery Hotel in Manhattan about “The Rover,” his relationship with tabloid media and the never-ending cycle of rumors about his career.
You’ve worked with these incredible directors: David Michôd, Werner Herzog, David Cronenberg and, soon, Olivier Assayas. What are you gleaning from those experiences?
It’s just going to school. I think that’s exactly what I’m doing. I think a lot of actors know what they have in them, and they kind of work with directors who help them do the specific thing that they already want. I have no idea what I have! I’m just kind of hoping something will happen if I work with Herzog or Cronenberg.
A lot of coverage surrounding your performance in “The Rover” is couched in headlines about how this film puts “Twilight” behind you. But “Twilight” was two years ago, and it felt like “Cosmopolis” already “put ‘Twilight’ behind you.” Does that narrative get annoying?
I guess when certain people ask me, it’s kind of annoying. Like, “How do you feel about everyone seeing stuff differently?” It’s kind of insulting. “So you’re saying all the stuff I did before was shit? Thanks, man!” I always forget how little people actually know you. You feel like you’ve done so many interviews, but most people have just seen a couple movies. Maybe! Or just seen you in a tabloid or something. You kind of forget that when you’re in the center of it.
So much was made about you singing “Pretty Girl Rock” after the Cannes premiere that I expected it to be a much bigger moment. But it’s kind of subdued and melancholy. Did the response that scene received surprise you at all?
The one thing I was thinking was that there was some kind of meta, breaking-the-fourth-wall thing happening, because of all the “Twilight” stuff. But it’s really not that, and that’s the one thing I was afraid of it being. Obviously people started bringing it up thinking it’s a comment on something.
I guess? I don’t know why they would think that.
Because people love all that stuff. I always read film reviews, and so many always love it when the movie is winking at itself and it’s being self aware. Who wants that? It’s crazy! So I didn’t want it to seem like it was self aware. I like it, though. When the song cuts in, that’s the funniest part. It’s so loud. He’s skipping behind Guy afterward. Do you know those guys who recut “The Shining” trailer? It’s like suddenly the movie becomes that moment.
Do you actually read reviews?
Yeah. I don’t quite know why. It’s so difficult to figure out if you’re doing the right thing. I guess there’s some way of knowing after reading, sort of. But sometimes it’s just incredible how opposite everything can be. It’s bizarre. You learn absolutely nothing after, and you just hate bad reviews. You can’t even remember the good ones.
On the topic of reading things about yourself: There was a story recently that claimed you were being sought for Indiana Jones. How do you find out about ridiculous casting rumors like that? Google alerts?
On the press tour. I had no idea. I swear it’s people who know it’s going to generate tons of bad publicity for me. There will be one totally random article not based on anything, and then there are 50 afterwards totally slamming me. It’s like, “I didn’t even say anything!”
You’ve been in the public eye for a while now, but does it still surprise you how much false information is published about you?
It’s really crazy. With me as well, it’s the same stories again and again and again. No matter what. I was trying to figure out a way to not be in tabloids anymore, and I just don’t even know how to do it. I thought if you don’t get photographed then they can’t do anything.
No, it doesn’t matter.
No, they put, like, five-year-old photographs in articles.
You seem to have very eclectic tastes. Do you ever worry about playing a movie-star game, where you do one for them and one for you?
I’m not entirely sure how it works. I’ve seen other actors who try to do that, or just done studio movie after studio movie, and then suddenly it just ends. So, I don’t really know what the game is. I just kind of think if there’s at least one element that you can guarantee is going to bring some kind of fulfillment to your life — which is in a lot of ways working with someone who is just kind of a hero — than even if the movie is terrible, you know something [positive] will happen just to say you did it.
Source: Huffington Post